There are two kinds of movie dialogue: Expository Dialogue & Action. Expository dialogue says something about your characters, and the who, what, why, how and where of the movie you’re writing. Action dialogue is what moves the plot forward. Your Task: Combine the two. Write a page of dialogue between two characters that exposes them and moves them to the next scene.
Your agent just called. You’ve got a meeting with a major studio exec in half an hour. Your problem: You haven’t written the pitch yet. Your task: Pick the best movie you saw this month. Pretend it hasn’t come out or been sold yet. In half-an-hour, write a one-paragraph synopsis, a one-sentence log line, and two movie titles you can compare it to (for example: It’s Rambo meets Bambi).
Pick two travel methods (boat, car, foot, helicopter or horse).
Write a one-page chase scene.
Switch the method of travel and write the scene again.
One of the best ways to learn is to practice! Your Task: Read Screenwriter John August’s blog entry, “How To Write A Scene.” Following the instructions (minus step 11), grab an article from today’s news and write it into a movie scene.
Research is a great way to learn more about our characters. Your Task: Pick a subject that your character is familiar with that you might not know much about. Research and list 15 facts on that subject.
Science fiction movies create new worlds for audiences to partake in. Identifying and showing the rules for these worlds are important tasks when explaining the plot.
Write a three-page science fiction script.
Before you begin, identify two rules for your new world. For example, is there gravity?
Make up the rules and write your script around them.
It’s been said that a writers’ main tool is the question, “What if?” With this simple query, we can explore any ordinary event’s limitless plot possibilities. Your task: Get a copy of today’s newspaper. Read 5 articles with our question in mind. What if she stole the money? What if those soldiers were plotting something? What if that man was lying? Write out one movie idea for each article you read.
Use transformational moments in your life to explore screenwriting structure.
List three transformational moments in your life.
Pick one incident and answer these questions:
What was your life like before the transformation?
What took place during the transformation?
What were the obstacles to transforming (both internal and external)?
How did you face these obstacles?
Name the people involved in this transformation.
What were their roles in your transformation?
What happened to them because of this transformation?
What was the outcome for you?
Create an outline of the specific incidents that occurred before, during and after this transformational experience.
Visualize a movie with each of these specific incidents as a scene in your movie.
What do I think about my movie? What am I leaving out? What can I add to make it more powerful?
How do movies influence, change or effect us? How can 1 scene have so much staying power in our lives? I’ve seen it many times. Friends will refer to a specific scene from a movie to relate experiences in their lives. They’ll use scenes in movies to justify a decision. It goes on. Your Task: Watch your favorite scene of a movie. Freewrite for 20 minutes on anything that comes up.
You’ve been hired by a major motion picture company to do a re-write on a screenplay that’s in pre-production. And, you have 24 hours to do it. Your task: Download a script for one of your favorite movies. Re-write the ending in the next 24-hours.