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It’s time to listen.
Poll a few people with the following questions:
What’s your favorite action movie?
What are two specific things you like about this movie?
What’s your favorite scene?
What’s your least favorite action movie?
What are two specific things you disliked about this movie?
What scene(s) made the movie bad?
Find and watch a couple of these movies. Pay close attention to the specific scenes mentioned.
What are your impressions of the movies you saw?
Do you share the opinions of the people you polled?
What have you learned about writing action?
Expository dialogue builds our characters personality. It gives the audience a chance to learn more about who our character is. For example, in the movie “Adaptation,” much of the voice over that is used is built as an internal monologue that gives the audience an idea of the main character, Charlie’s intense inner critic. Your Task: Identify one scene in a movie where expository dialogue is used. Now, write your own 1-page scene that involves this kind of dialogue.
Usually, a movie’s plot is what draws me to it and its’ plot twists are what keep me there. Your Task: Watch 10 movies and identify the turning points in the plot. Answer these questions: How did these turning points happen? Was there a consistent theme from movie to movie?
“In describing action, don’t let it take longer to read than it would to do it on screen.”
– Hal Ackerman (Screenwriter, Author and Professor)
Watch an action movie of your choice.
Pick one scene and write the action elements using as few words as possible.
Here’s a test on creating effective character descriptions.
Pick ten characters you’ve seen in movies.
Write a 1-sentence description for each of them. Make it as accurate as possible.
Bring these descriptions to friends who have seen these movies. Can they guess who you’re referring to?
A producer calls you. He wants to see you work on the fly. He wants to see how creative and sharp you can be. Your task: Come up with 25 original movie titles in 10 minutes.
Use transformational moments in your life to explore screenwriting structure.
List three transformational moments in your life.
Pick one incident and answer these questions:
What was your life like before the transformation?
What took place during the transformation?
What were the obstacles to transforming (both internal and external)?
How did you face these obstacles?
Name the people involved in this transformation.
What were their roles in your transformation?
What happened to them because of this transformation?
What was the outcome for you?
Create an outline of the specific incidents that occurred before, during and after this transformational experience.
Visualize a movie with each of these specific incidents as a scene in your movie.
What do I think about my movie? What am I leaving out? What can I add to make it more powerful?
It’s been said that a writers’ main tool is the question, “What if?” With this simple query, we can explore any ordinary event’s limitless plot possibilities. Your task: Get a copy of today’s newspaper. Read 5 articles with our question in mind. What if she stole the money? What if those soldiers were plotting something? What if that man was lying? Write out one movie idea for each article you read.
Dialogue can be used as an exposition of character. It can also be used to advance action. Advancing action moves the plot forward from one scene to the next. Your task: Write a 2-page scene where dialogue is used to advance action.