Place as Action

Have you ever seen Ghost in the Shell? There’s a contemplative movement in the second act where the main character watches the city go by. It’s a perfect example of place as action. The pensive main character is taken away by place in a moment that gives the viewer a chance to reflect on the action and philosophy in the movie. Are there other examples of place as action? Can place move the plot forward?

The Exercise

Brainstorm five movie scenes where place is a defining factor in the scene.

A Series of…

Want to understand your character’s life? Create a timeline that details the major events in it.

The Exercise

Pick a character from something you’re writing.
How old are they now?

Make a timeline that spans from birth to their current age.
Notate major positive or negative impacting events in their life.
Write a sentence or short paragraph describing each event.

Journal

From your character’s perspective: My life is a series of…

What Do You Like?

You can learn a thing or two about the way you write by delving into what you like.

The Exercise

Identify your favorite scene of all time.
Get that movie and watch the scene.

Journal

Let go and write for 10 minutes about the scene.
Why do you like it so much?
What does it bring up for you?
How has it influenced you?

Ten People

Running low on our own ideas creates the best motivation to ask our friends. Your task: Pick ten people you know and write a brief character description for each of them. Ask each of them what one defining moment in their lives was, and one character trait that changed in that moment. Write this as a character ark. For each character, write a paragraph-long plot summary for this event.

Combine The Two

There are two kinds of movie dialogue: Expository Dialogue & Action. Expository dialogue says something about your characters, and the who, what, why, how and where of the movie you’re writing. Action dialogue is what moves the plot forward. Your Task: Combine the two. Write a page of dialogue between two characters that exposes them and moves them to the next scene.

Being The Writer I Want To Be

What internal or external forces impede your ability to write? Our capacity to understand and permeate these forces can build our power as a writer.

The Exercise

List 10 things that stop you from being the writer you want to be.
Brainstorm three possible solutions for overcoming each obstacle on your list.
Plan a date on your calendar to work on one of these solutions.