I was talking to a grocery store clerk about writing the other day, when he asked, “How do you write about characters that you can’t stand?” I responded with saying, “finding compassion for our characters gives us the ability to understand them more which helps when we write their lives.” Your task: Pick a person you dislike. Write a 1-page synopsis for a plot based on their life as a hero’s journey.
Beyond storytelling, the screenplay is a map for actors and filmmakers. The screenwriter conveys creative instruction through action elements in the script.
You’ll need a partner.
Partner A is to instruct partner B how to put on a shoe (preferably one with laces). To do this, partner B must take off one of their shoes. They are also to pretend that they have never seen a shoe, don’t know what it is and don’t know what its various parts are or do.
Partner A needs to explain the process of putting on a shoe. Partner A should do this verbally and without pointing at the parts of the shoe. Every part of the explanation should try to be clear, verbal and effective enough to get partner B to get that shoe on.
How can language create and shape action?
Create a mind map to help you brainstorm the structure of an idea. Place your story idea in the center of the mind map, and see what comes out.
There are two kinds of movie dialogue: Expository Dialogue & Action. Expository dialogue says something about your characters, and the who, what, why, how and where of the movie you’re writing. Action dialogue is what moves the plot forward. Your Task: Combine the two. Write a page of dialogue between two characters that exposes them and moves them to the next scene.
Written/Contributed by Hal Ackerman
Two cars, a sports car and an SUV arrive at the same parking spot. Write the scene or sequence of scenes in
a. A Romantic Comedy
b. An Action Adventure
c. A Film Noir mystery
d. Science Fiction
You may change the vehicles and characters inhabiting them as you please.
How do movies influence, change or effect us? How can 1 scene have so much staying power in our lives? I’ve seen it many times. Friends will refer to a specific scene from a movie to relate experiences in their lives. They’ll use scenes in movies to justify a decision. It goes on. Your Task: Watch your favorite scene of a movie. Freewrite for 20 minutes on anything that comes up.
Acknowledging our fears can release their grasp on our work.
A mind map is a visual display of images and words that flow from one to the next. To create one, draw a circle in the middle of a piece of paper. Write your topic in that circle. This is the center of your first hub. A hub is a collection of related words, thoughts or ideas. Thinking about the topic, brainstorm items around it. Then, grow your mind map by making any of the other words a hub and expanding on it.
Create a mind map that centers around the topic “my fears”
What does fear look like in my writing life?
It’s been said that a writers’ main tool is the question, “What if?” With this simple query, we can explore any ordinary event’s limitless plot possibilities. Your task: Get a copy of today’s newspaper. Read 5 articles with our question in mind. What if she stole the money? What if those soldiers were plotting something? What if that man was lying? Write out one movie idea for each article you read.
When developing an idea, two good questions to ask are: Has this been done before? If so, how is my project unique? Your Task: Research your idea. Check out the IMdB search function and do a word search in the “plots” category. This will search the plot summaries of the movies within the database.
Pick two travel methods (boat, car, foot, helicopter or horse).
Write a one-page chase scene.
Switch the method of travel and write the scene again.