You’ve finished a draft of your script! Congratulations. Now it’s time to re-write. Before you get started, get someone else to help you clear your thoughts. Your Task: Get Interviewed! Have a friend interview you about your script. Here are some questions: What do you like about your work? What do you want to change? What should never be changed? Why? How do you feel about writing? What about yourself as a writer? If you had to give up your script to a production company today, what would you be embarrassed about? What are you proud of? Hope that gets you started!
It’s been said that a writers’ main tool is the question, “What if?” With this simple query, we can explore any ordinary event’s limitless plot possibilities. Your task: Get a copy of today’s newspaper. Read 5 articles with our question in mind. What if she stole the money? What if those soldiers were plotting something? What if that man was lying? Write out one movie idea for each article you read.
What changes in your scenes when you reduce or expand them? Screenwriting books almost unanimously call for an economy of words — choosing your words wisely and using less to say more. Practice this. Your Task: Come up with a scene from a movie and write 3 versions of the same scene. Write the first one using a 1/2 page; the second one with 1 1/2 pages; and the third one using 3 pages.
Expository dialogue builds our characters personality. It gives the audience a chance to learn more about who our character is. For example, in the movie “Adaptation,” much of the voice over that is used is built as an internal monologue that gives the audience an idea of the main character, Charlie’s intense inner critic. Your Task: Identify one scene in a movie where expository dialogue is used. Now, write your own 1-page scene that involves this kind of dialogue.
creative screenwriting exercises (Get the book for all 101 exercises)