Usually, a movie’s plot is what draws me to it and its’ plot twists are what keep me there. Your Task: Watch 10 movies and identify the turning points in the plot. Answer these questions: How did these turning points happen? Was there a consistent theme from movie to movie?
Here’s another practice exercise for creating a scene. Your Task: Think of an incident that happened in your life where you were unsatisfied with the end result. Now, write a scene that goes through this incident. Change the scene to reflect the way you’d rather have this incident turn out.
Acknowledging our fears can release their grasp on our work.
A mind map is a visual display of images and words that flow from one to the next. To create one, draw a circle in the middle of a piece of paper. Write your topic in that circle. This is the center of your first hub. A hub is a collection of related words, thoughts or ideas. Thinking about the topic, brainstorm items around it. Then, grow your mind map by making any of the other words a hub and expanding on it.
Create a mind map that centers around the topic “my fears”
What does fear look like in my writing life?
There are two kinds of movie dialogue: Expository Dialogue & Action. Expository dialogue says something about your characters, and the who, what, why, how and where of the movie you’re writing. Action dialogue is what moves the plot forward. Your Task: Combine the two. Write a page of dialogue between two characters that exposes them and moves them to the next scene.
Relieve writer’s block by finding new stories to tell. If you’re not planning your own adventure, check out weird stories from around the world.
Navigate to an online search engine and query “weird news”.
Pick a site, then a story.
Imagine the actions and dialogue that make this story a reality.
Write a two-page scene.
The three-act structure has been one of the most influential tools for screenplay development. An understanding of its history and applicability is essential to the burgeoning screenwriter.
Write a four-page essay on the three-act structure. Where did it come from? What is it and how is it used? What are some of the challenges against it? What are some of the movies that use it? Has it developed over time? How?
What changes in your scenes when you reduce or expand them? Screenwriting books almost unanimously call for an economy of words — choosing your words wisely and using less to say more. Practice this. Your Task: Come up with a scene from a movie and write 3 versions of the same scene. Write the first one using a 1/2 page; the second one with 1 1/2 pages; and the third one using 3 pages.
Focusing on comedies, let’s take a look at what makes you laugh.
Watch a comedy that you think is actually funny.
Watch it again.
On the second time through, note the jokes that made you laugh.
What are the common threads in the jokes that really make me laugh?
Written/Contributed by Hal Ackerman
Do this with a writing friend. Each of you separately concoct a perfect crime: Circumstances, motive, execution, getaway. Perpetrator. Victim. Write it out in some detail.
Then exchange papers. Create a character who will solve this crime. How will the hole in the plan be discovered? By what means of detection?
Let’s use the ending of a film to practice creating scenes. Your Task: Pick a movie – any movie. After watching it, jot down 4 alternate possibilities for an ending. Now, pick one of your 4 new finales and use standard screenplay format to write out one of these endings.