Here’s a test on creating effective character descriptions.
Pick ten characters you’ve seen in movies.
Write a 1-sentence description for each of them. Make it as accurate as possible.
Bring these descriptions to friends who have seen these movies. Can they guess who you’re referring to?
Expository dialogue builds our characters personality. It gives the audience a chance to learn more about who our character is. For example, in the movie “Adaptation,” much of the voice over that is used is built as an internal monologue that gives the audience an idea of the main character, Charlie’s intense inner critic. Your Task: Identify one scene in a movie where expository dialogue is used. Now, write your own 1-page scene that involves this kind of dialogue.
Use transformational moments in your life to explore screenwriting structure.
List three transformational moments in your life.
Pick one incident and answer these questions:
What was your life like before the transformation?
What took place during the transformation?
What were the obstacles to transforming (both internal and external)?
How did you face these obstacles?
Name the people involved in this transformation.
What were their roles in your transformation?
What happened to them because of this transformation?
What was the outcome for you?
Create an outline of the specific incidents that occurred before, during and after this transformational experience.
Visualize a movie with each of these specific incidents as a scene in your movie.
What do I think about my movie? What am I leaving out? What can I add to make it more powerful?
Running low on our own ideas creates the best motivation to ask our friends. Your task: Pick ten people you know and write a brief character description for each of them. Ask each of them what one defining moment in their lives was, and one character trait that changed in that moment. Write this as a character ark. For each character, write a paragraph-long plot summary for this event.
Write the full name of your character down the left side of a page, one successive letter on each line. On each line, write a true statement about the character (or from his/her voice) beginning the first word of each line with each successive letter of the character?ÇÄôs name. So for a character named Holmeyer:
He lives with a rabbit
Ebbs when he should flow
Yearns for love
Runs from life
Try it with all your main characters. (Try it with your own name)
Have you ever seen Ghost in the Shell? There’s a contemplative movement in the second act where the main character watches the city go by. It’s a perfect example of place as action. The pensive main character is taken away by place in a moment that gives the viewer a chance to reflect on the action and philosophy in the movie. Are there other examples of place as action? Can place move the plot forward?
Brainstorm five movie scenes where place is a defining factor in the scene.
Usually, a movie’s plot is what draws me to it and its’ plot twists are what keep me there. Your Task: Watch 10 movies and identify the turning points in the plot. Answer these questions: How did these turning points happen? Was there a consistent theme from movie to movie?
Two people are in bed. A siren or alarm is heard. Or the phone rings. Or a doorbell. WRITE THE SCENE.
You will have to ask yourself: Who are these people? Who are they to each other? What are the immediate circumstances? How does the alarm affect them? What do they do? Are they at cross-purposes? How so?
Place ordinary people in extraordinary circumstances or extraordinary people in ordinary circumstances.
creative screenwriting exercises (Get the book for all 101 exercises)