There are two kinds of movie dialogue: Expository Dialogue & Action. Expository dialogue says something about your characters, and the who, what, why, how and where of the movie you’re writing. Action dialogue is what moves the plot forward. Your Task: Combine the two. Write a page of dialogue between two characters that exposes them and moves them to the next scene.
“In describing action, don’t let it take longer to read than it would to do it on screen.”
– Hal Ackerman (Screenwriter, Author and Professor)
Watch an action movie of your choice.
Pick one scene and write the action elements using as few words as possible.
With the Internet around, it’s easy to forget other avenues of research. These other sources, however, can oftentimes provide more thorough information. Your Task: Re-acquaint yourself with research methods. One quick way to do so is to read this tutorial from the Houston Community College Library.
Written/Contributed by Hal Ackerman
What is the thing or person that irks you most. Lawn
sprinklers that spot your car? TV Ads? War? Politics? People who apply
makeup while driving?
Write a furious diatribe against it. Attack it. Lacerate it. Vent your
spleen. This will be the document that ends the thing that you hate.
When you have done, write PART 2. With equal commitment, honesty, depth,
passion and insight, be an advocate for the issue you have just attacked.
If it was a person, write his/her character piece about you.
Pick two travel methods (boat, car, foot, helicopter or horse).
Write a one-page chase scene.
Switch the method of travel and write the scene again.
Sometimes we get so into the challenge of finishing our screenplays that we forget to go back and make sure our characters have a consistent voice. Your Task: Read a screenplay that you or someone else wrote. Get into the mindset of one character and read it thinking of them. While you read, consider what’s awkward, what’s natural, what their voice is and if it’s being followed throughout. How is the character real or superficial? What could make them more consistent?
Here’s another practice exercise for creating a scene. Your Task: Think of an incident that happened in your life where you were unsatisfied with the end result. Now, write a scene that goes through this incident. Change the scene to reflect the way you’d rather have this incident turn out.
I was talking to a grocery store clerk about writing the other day, when he asked, “How do you write about characters that you can’t stand?” I responded with saying, “finding compassion for our characters gives us the ability to understand them more which helps when we write their lives.” Your task: Pick a person you dislike. Write a 1-page synopsis for a plot based on their life as a hero’s journey.
Relieve writer’s block by finding new stories to tell. If you’re not planning your own adventure, check out weird stories from around the world.
Navigate to an online search engine and query “weird news”.
Pick a site, then a story.
Imagine the actions and dialogue that make this story a reality.
Write a two-page scene.
A producer calls you. He wants to see you work on the fly. He wants to see how creative and sharp you can be. Your task: Come up with 25 original movie titles in 10 minutes.