Rule Breaking

Written/Contributed by Hal Ackerman

In a series of one-line (or at most, two lines) impressions, make a litany of all the times you “broke the rules,” Lied, cheated, stole, set fire, pilfered, prevaricated, deceived. (eg: Poisoned my sister’s gold fish. Enjoyed it. Took joy rides in the family car at age 14 while parents were in hospital.

b. Extract the juiciest of all those incidents. Write it as a story, in prose. However long it takes — a page, 10 pages.

c. How would you adapt it to a screen story? Make a running order of the scenes. Would you need to invent other scenes to dramatize events that were mentioned in the prose version? How would a movie audience know who the characters were and what was important to them?

Creative Instruction

Beyond storytelling, the screenplay is a map for actors and filmmakers. The screenwriter conveys creative instruction through action elements in the script.

The Exercise

You’ll need a partner.

Partner A is to instruct partner B how to put on a shoe (preferably one with laces). To do this, partner B must take off one of their shoes. They are also to pretend that they have never seen a shoe, don’t know what it is and don’t know what its various parts are or do.

Partner A needs to explain the process of putting on a shoe. Partner A should do this verbally and without pointing at the parts of the shoe. Every part of the explanation should try to be clear, verbal and effective enough to get partner B to get that shoe on.

Journal

How can language create and shape action?

Beyond Google

Google has become so popular as a search tool that it often becomes the only instrument used when doing internet research. Expanding our horizons gives us more information from a variety of sources. Your Task: Read “Conducting Research on the Internet.” Now, using 3 methods from this article, research a random subject to come up with 5 facts.

Combine The Two

There are two kinds of movie dialogue: Expository Dialogue & Action. Expository dialogue says something about your characters, and the who, what, why, how and where of the movie you’re writing. Action dialogue is what moves the plot forward. Your Task: Combine the two. Write a page of dialogue between two characters that exposes them and moves them to the next scene.

Sherlock Holmes And Moriarty

Written/Contributed by Hal Ackerman

Do this with a writing friend. Each of you separately concoct a perfect crime: Circumstances, motive, execution, getaway. Perpetrator. Victim. Write it out in some detail.

Then exchange papers. Create a character who will solve this crime. How will the hole in the plan be discovered? By what means of detection?

Write A Rant

Written/Contributed by Hal Ackerman

What is the thing or person that irks you most. Lawn
sprinklers that spot your car? TV Ads? War? Politics? People who apply
makeup while driving?

Write a furious diatribe against it. Attack it. Lacerate it. Vent your
spleen. This will be the document that ends the thing that you hate.

When you have done, write PART 2. With equal commitment, honesty, depth,
passion and insight, be an advocate for the issue you have just attacked.
If it was a person, write his/her character piece about you.